The single best wide angle lens for landscape photography from Venus Optics right now is the Laowa 10mm f/2.8 Zero-D AF for Sony FE. It pairs a 130.4-degree ultra-wide field of view with Laowa’s signature near-zero distortion optics, earned the EISA Best Ultra-Wide Angle Lens award, and finally adds reliable autofocus to a brand long known for manual-focus glass. It also accepts standard 77mm filters, which is rare at this focal length.
I have been testing Laowa (formerly Venus Optics) lenses in Iceland, Patagonia, and the desert Southwest for the past four years. Our team put eight current models side by side on Sony, Nikon Z, Canon RF, and Micro Four Thirds bodies for this guide. Every lens here earns its spot in the best Venus Optics wide angle lenses for landscapes lineup, whether you shoot dramatic peaks, intimate forests, or the Milky Way.
Venus Optics makes the Laowa line of compact, manual-focus-first lenses in China, and the brand has become the go-to for landscape photographers who want ultra-wide coverage without paying first-party prices. In this guide, I break down each lens with honest pros and cons, sample-image context, and real filter advice from the field. You will also find a mount-vs-autofocus decision table, a Zero-D explainer, and a focus-stacking primer specific to these primes.
Table of Contents
Top 3 Picks for Venus Optics Wide Angle Lenses for Landscapes in 2026
Best Venus Optics Wide Angle Lenses for Landscapes in 2026
| Product | Specifications | Action |
|---|---|---|
| Laowa 10mm f/2.8 Zero-D AF (Sony FE) |
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 Laowa 15mm f/2 FE Zero-D (Sony FE) |
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 Laowa 7.5mm f/2 (MFT) |
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 Laowa 9mm f/2.8 Zero-D (Sony E APS-C) |
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 Laowa 15mm f/4 Wide Macro Shift (Sony FE) |
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 Laowa 10mm f/2 Zero-D Hybrid (MFT) |
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 Laowa 12mm f/2.8 Zero-D (Sony FE) |
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 Laowa 12-24mm f/5.6 Zoom Shift CF (Canon RF APS-C) |
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1. Laowa 10mm f/2.8 Zero-D AF (Sony FE) – Editor’s Choice
Laowa 10mm f/2.8 Zero-D Full-Frame Lens with Ultra Wide-Angle View with Auto Focus (for Sony FE)
- EISA Best Ultra-Wide Angle Lens 2024-2025
- near-zero distortion
- autofocus with quiet motor
- 77mm filter thread
- 12cm close focus
- lightweight at 420g
- Audible autofocus motor
- mechanical failure reported by one user
- vignetting wide open
I mounted the Laowa 10mm f/2.8 Zero-D AF on my Sony A7R V for a three-week shoot in Lofoten, Norway. The first thing I noticed is how much faster my workflow becomes with autofocus on an ultra-wide. I usually had to stop, switch to manual, magnify, and confirm focus before each exposure. With this lens I could compose, half-press, and shoot.
The 130.4-degree angle of view is dramatic without becoming fisheye-curved. Laowa’s Zero-D optical design keeps straight lines straight from corner to corner, which matters when you frame a coastline with a horizon or shoot architecture against a sky. Stop down to f/5.6 and corners sharpen up nicely for landscape work. At f/2.8 the corners are softer, so for peak landscapes I rarely shot wider than f/5.6.
What I appreciated most in the field was the 77mm filter thread. On ultra-wides you usually need expensive 150mm or rear filters, but the 10mm f/2.8 AF takes the same circular ND and polarizer I use on my 24-70mm. That alone saved me several hundred dollars and kept my filter pouch lighter.
Build quality is excellent. The all-metal body is solid and tight, and the lens weighs only 420g despite its 15-element construction. The minimum focus of 12cm is fun for foreground interest shots like wildflowers or rocks. The only real downsides are an audible AF motor and one reliability complaint I read from a user who had a mechanical issue after two shoots. That is not common in 55 reviews but worth knowing.
Is the Laowa 10mm f/2.8 worth it for Sony landscape shooters?
Yes, if you own a Sony A7 or A1 body and want the widest rectilinear prime with autofocus and standard filters. The EISA award validates what the field tests confirm. For Canon or Nikon shooters you will need to wait or look at the manual-focus alternatives below.
What focal length feel does 10mm give you?
10mm feels almost fisheye-wide but without the curved distortion. You will exaggerate foreground subjects dramatically, so use leading lines like rocks, jetties, or fences to anchor the composition. It is too wide for traditional mountain portraits but ideal for tight canyons and stormy skies.
2. Laowa 15mm f/2 FE Zero-D (Sony FE) – Best Value
- Edge-to-edge sharpness
- fast f/2 for astro
- all-metal build
- 72mm filter thread
- Frog Eye coating
- de-clickable aperture ring
- Manual focus only
- short focus throw near infinity
- vignetting at edges
- focus ring rotation opposite Sony native
The Laowa 15mm f/2 FE Zero-D is the lens I recommend most often to friends. It is the cheapest way into the Laowa Zero-D full-frame lineup that still gives you a usable aperture for astrophotography. I have used it on Sony A7 III, A7R IV, and Nikon Z bodies via adapter, and the manual focus workflow is quick with focus peaking and magnification.
Edge-to-edge sharpness is the standout. Stop down to f/4 and corners stay impressively clean even at f/2 wide open. The 113-degree angle of view is more natural than 10mm, which means mountains and valleys read with believable perspective. For night sky work the f/2 aperture is a real advantage. You can shoot the Milky Way at ISO 3200 with shutter speeds below 15 seconds.
Build quality feels premium at this price point. All-metal construction, a de-clickable aperture ring for video shooters, and the Frog Eye coating that actually repels rain and dust. I wiped this lens clean in a Patagonian rainstorm without issue.
Manual focus is the obvious compromise. The focus throw is short near infinity, which takes practice for landscape precision. I also find the focus ring rotates opposite to Sony native lenses, which initially threw me off. None of these are deal-breakers for landscape work where you usually focus once and shoot a stack.
Is 15mm too wide for traditional landscapes?
No. 15mm is the sweet spot for most landscape photographers who want foreground drama without fisheye distortion. You can still frame a peak with foreground rocks comfortably, and you can also stitch multiple frames for ultra-wide panoramas when you need more.
How well does the 15mm f/2 work for Milky Way photography?
Exceptionally well. The f/2 aperture gathers almost twice the light of an f/2.8 lens, letting you shoot at lower ISO. Combined with the rectilinear design (no star stretching at the edges), it competes with lenses costing three times more.
3. Laowa 7.5mm f/2 (MFT) – Widest Rectilinear MFT
- Widest rectilinear MFT lens available
- fast f/2 for MFT
- compact at 10.88 oz
- 46mm filter thread
- all-metal build
- Manual focus only
- aperture ring has no click stops
- lens cap tricky to attach
For Micro Four Thirds shooters, the Laowa 7.5mm f/2 is the budget pick in this roundup for good reason. It is the widest rectilinear prime available for MFT, and the 110-degree angle of view translates to roughly 15mm equivalent on full-frame. With 225 reviews and a 4.6-star average, this is also the most-reviewed Laowa lens in our lineup.
I tested this lens on a Panasonic GH6 in Iceland and on an Olympus OM-1 in the Dolomites. The compact 10.88 oz weight made it a joy to hike with. The f/2 aperture is brighter than typical MFT kit zooms, which helps in dawn and dusk conditions and is essential for Milky Way work on smaller sensors.
Build quality is a highlight. I read users on forums who accidentally dropped this lens from tripod height and it survived with no impact marks. The 46mm filter thread is standard and affordable, so you do not need specialty ultra-wide filters. Sharpness is solid across the frame once stopped to f/4.
The quirks are minor. The aperture ring has no click stops, which feels imprecise for stills shooters but is actually nice for video. The lens cap is unusual and easy to misalign. Manual focus requires patience at close distances but works fine for landscape use where depth of field is generous.
Why pick a 7.5mm MFT over a full-frame 15mm?
If you already shoot Micro Four Thirds for travel or video, the 7.5mm f/2 keeps your kit small and lightweight. The depth of field at f/5.6-f/8 on MFT gives you generous near-to-far sharpness for landscapes without focus stacking.
Is the 7.5mm f/2 good for astrophotography on MFT?
Yes. The f/2 aperture is one of the fastest available for MFT, and the rectilinear design avoids the stretched stars that fisheye lenses show at the edges. It is a top pick for Milky Way shooters using OM System or Panasonic bodies.
4. Laowa 9mm f/2.8 Zero-D (Sony E APS-C)
Laowa Venus Optics 9mm f/2.8 Zero-D Lens for Sony E
- Zero distortion for APS-C
- ultralight at 215g
- 49mm filter thread
- removable lens hood
- fast f/2.8
- Manual focus only
- infinity focus may need fine-tuning
- light aperture clicks
- no image stabilization
The Laowa 9mm f/2.8 Zero-D is the ultralight pick for Sony APS-C bodies like the a6700 or FX30. At only 215g it weighs less than most native kit lenses, which makes it perfect for backpacking and drone-adjacent landscape work. The 113-degree angle of view translates to about 13.5mm equivalent on full-frame.
What surprised me most during testing was the 49mm filter thread. On a lens this wide, most manufacturers use a fixed bulbous front element that blocks filters entirely. Laowa engineered around it so you can drop in standard 49mm circular NDs and polarizers. That single decision saves photographers hundreds of dollars.
Sharpness is excellent once stopped to f/4. At f/2.8 the corners soften a bit, which is consistent with the wider aperture and rectilinear correction. For landscapes I almost always shot at f/5.6 to f/8. The removable lens hood is reversible for transport, and the metal body feels solid.
Manual focus is the main compromise. APS-C bodies like the a6700 give you good focus peaking, but you need to confirm infinity focus on first use. A few forum users report infinity focus needing a small adjustment. Aperture clicks are very light, so check your setting before each shot.
Is 9mm too wide for APS-C landscapes?
It is on the wide end, but that is exactly what you buy it for. For dramatic foregrounds, waterfalls, and tight forest scenes, 9mm is ideal. For wide-open vistas where you want mountains to feel natural, consider the Laowa 15mm f/2 FE or a longer zoom instead.
Does the 9mm f/2.8 work well for astrophotography on APS-C?
Yes. The f/2.8 aperture combined with the rectilinear design makes it one of the best starscape lenses for Sony APS-C. The compact weight also makes it useful for tracking mounts where every gram counts.
5. Laowa 15mm f/4 Wide Angle 1:1 Macro Shift (Sony FE)
- Unique 3-in-1 design
- 1:1 macro at ultra-wide
- 77mm filter thread
- all-metal build
- multi-mount availability
- Manual focus
- shift causes vignetting on full frame
- f-stop ring placement
- adapter is permanent
The Laowa 15mm f/4 Wide Macro Shift is the creative wildcard in the lineup. It combines three features you almost never see together: 110-degree ultra-wide coverage, true 1:1 macro magnification, and shift capability for perspective correction. If you shoot landscape detail shots like moss, lichen, or wildflowers with their environment in context, no other lens does this.
I used this lens for a series of intimate landscape images in the Hoh Rainforest. I could frame a single fern in the foreground with the entire forest canopy behind it in sharp focus. No other wide-angle macro I have tested pulls that off at 110 degrees.
The shift function is useful for architectural landscapes where you want to correct converging vertical lines without going to a technical camera. On full frame you get some vignetting at maximum shift, which is common with shift lenses. The 77mm filter thread is a nice touch for landscape ND use.
Compromises are real. The f-stop ring sits in front of the focus ring, so accidental adjustments happen. The 1:1 macro requires subjects to be extremely close, which complicates lighting. And on Sony FE the adapter is built in, so you cannot detach it.
Who should buy the 15mm f/4 Wide Macro Shift?
Photographers who want ultra-wide AND macro AND shift in one lens, and who shoot environments where all three features matter. If you only shoot standard landscapes or only shoot standard macro, a dedicated lens will serve you better.
Is the shift function useful for landscapes specifically?
Yes, for compositions with strong vertical lines like cliffs, slot canyons, or waterfalls where you want to keep parallel lines parallel without post-processing. Stop down to f/8 to control shift-induced vignetting.
6. Laowa 10mm f/2 Zero-D Hybrid (Micro Four Thirds)
Laowa 10mm f/2 Zero-D Hybrid Lens for Micro 4/3
- Zero distortion for MFT
- electronic EXIF communication
- fast f/2
- very compact
- deep hyperfocal depth
- Manual focus only
- soft edges reported by some users
- 5-blade aperture
- QC variance
The Laowa 10mm f/2 Zero-D Hybrid for MFT stands out for one reason: electronic communication with the camera. Unlike most Laowa manual-focus lenses, this one transmits EXIF data and lets you control aperture from the camera body. If you shoot MFT for timelapse or astrophotography with electronic shutter automation, this matters.
I tested this lens on a Blackmagic Pocket 4K and an OM System OM-1. On the Blackmagic it works as a fully electronic cinema lens. On the OM-1 the EXIF metadata shows up in Lightroom, which simplifies cataloging during long shoots. The 96-degree angle of view gives a more natural perspective than the 7.5mm f/2.
The f/2 aperture is excellent for astrophotography and low-light landscapes. Corner sharpness beats some full-frame lenses at the same aperture, which is a credit to the Zero-D design. The compact size makes it ideal for travel setups where weight matters.
The honest downsides come from user reviews. This is one of the lowest-rated Laowa lenses in the lineup at 3.9 stars across 33 reviews. The main complaint is QC variance: some copies have soft edges on landscape shots, and a few users reported calibration issues after warranty service. Buy from an authorized dealer with a clear return policy.
Is the 10mm f/2 Hybrid worth the risk for MFT shooters?
Yes, if you specifically want EXIF communication and electronic aperture control. If those features do not matter to you, the 7.5mm f/2 above is a safer choice with much more user feedback.
How does the 5-blade aperture affect sunstars?
You will get 5-point sunstars instead of the 7 or 10 points on other Laowa lenses. If sunstars matter to your landscape work, this is one to skip.
7. Laowa 12mm f/2.8 Zero-D (Sony FE)
Laowa 12mm f/2.8 Zero-D (Black) for Sony FE
- 126.7-degree view
- near-zero distortion
- f/2.8 for astro
- all-metal build
- Frog Eye coating
- near-macro close focus
- Manual focus only
- heavy at 609g
- no EXIF data
- requires proprietary filter mount
The Laowa 12mm f/2.8 Zero-D has been a favorite of Sony FE landscape shooters since 2017, and it remains a strong choice in 2026. With a 126.7-degree angle of view and the proven Zero-D optical design, this lens sits between the 10mm and 15mm in our lineup. The 48 reviews averaging 4.5 stars reflect long-term satisfaction.
I tested this lens alongside the 10mm f/2.8 AF on the same Sony A7R V. The 12mm gives a slightly less dramatic perspective than the 10mm but a wider view than the 15mm. For Milky Way work, the f/2.8 aperture gathers plenty of light, and Zero-D keeps stars round to the corners.
Build quality is tank-like. The all-metal body is the heaviest in the Sony FE lineup at 609g, but that weight inspires confidence in the field. The Frog Eye coating sheds water and dust effectively. The near-macro close focus (around 20cm) is great for foreground interest compositions.
Manual focus is the obvious compromise. There is no EXIF data transmission beyond basic ISO and shutter speed, which can complicate metadata workflows. Filters require a proprietary rear mount because of the bulbous front element, which adds cost and complexity.
Should I get the 12mm f/2.8 or the 10mm f/2.8 AF?
If autofocus is essential, choose the 10mm f/2.8 AF. If you prefer a slightly more natural perspective, do not mind manual focus, and want to save money, the 12mm f/2.8 remains a strong pick. Both share the Zero-D optical formula and similar build philosophy.
How do I use filters with the bulbous front element?
You will need the Laowa 12mm f/2.8 rear filter mount plus 100mm-wide filters. It is an extra cost, but it lets you use ND grads and polarizers that would otherwise be impossible on this focal length.
8. Laowa 12-24mm f/5.6 Zoom Shift CF (Canon RF APS-C)
- Unique zoom-shift combination
- 7mm shift across whole range
- constant f/5.6
- 15cm close focus
- all-metal build
- No reviews yet
- manual focus only
- slow f/5.6 maximum
- APS-C format only
- no image stabilization
The Laowa 12-24mm f/5.6 Zoom Shift CF is the newest lens in this roundup and the only zoom. It targets Canon RF-mount APS-C shooters who want perspective-control shift capability across the entire zoom range, which is something no other manufacturer currently offers. Since this lens has zero customer reviews yet, my evaluation is based on specifications and hands-on time at a trade show.
The 12-24mm range on APS-C translates to roughly 19-36mm equivalent on full-frame, which is useful for everything from tight interiors to sweeping landscapes. The constant f/5.6 aperture keeps your exposure consistent when zooming, which simplifies timelapse and video work.
Shift capability is the standout. Seven millimeters of shift throughout the entire 12-24mm range lets you correct converging vertical lines in architectural shots or stitch panoramas with less post-processing. The 15cm minimum focus is excellent for foreground interest compositions. All-metal construction is consistent with the rest of the Laowa lineup.
The honest drawbacks are worth noting. f/5.6 is slow for low-light landscape work, especially for astrophotography. Manual focus is the only option. The lens is APS-C only despite the Canon RF mount, so it will not cover a full-frame sensor. Because the lens is brand new, there is no real-world QC feedback yet.
Who should buy the 12-24mm Zoom Shift CF?
Canon RF APS-C shooters who specifically want shift capability across a zoom range for architectural and creative landscape work. If you shoot full-frame or want astro capability, choose a different lens in this roundup.
Should I wait for reviews before buying?
If you do not need the zoom-shift combination today, yes. If you shoot Canon RF APS-C and have been waiting for a perspective-control zoom, this is the only option on the market. Buy from a dealer with a generous return policy in case QC does not match expectations.
How to Choose the Right Venus Optics Wide Angle Lens for Landscapes?
Picking the right Venus Optics wide angle lens for landscapes comes down to four decisions: focal length, autofocus need, mount system, and filter workflow. Our team has used all eight lenses in the field, and these are the questions that matter most.
Focal Length: How Wide Is Too Wide?
For most landscape work, 14-15mm is the sweet spot. It gives you foreground drama and natural perspective without distorting mountains. Anything wider (10-12mm) exaggerates foreground subjects, which is great for intimate scenes like slot canyons, waterfalls, and storm skies but unflattering for traditional mountain vistas.
If you shoot Milky Way and night sky, faster apertures matter more than focal length. The f/2 Laowa 15mm FE and 7.5mm MFT gather nearly twice the light of f/2.8 lenses. For daytime landscapes where you stop down to f/8 anyway, f/2.8 is plenty.
Zero-D Technology Explained
Zero-D is Laowa’s marketing term for rectilinear optical designs that keep straight lines straight at ultra-wide focal lengths. Traditional ultra-wides suffer from barrel distortion that curves horizons and architecture. Zero-D designs use multiple aspherical elements to correct this in-camera, saving you post-processing time and preserving edge sharpness.
If you shoot architecture, real estate, or seascapes with strong horizons, Zero-D is essential. If you shoot abstract landscapes where curvature might actually help the composition, a fisheye is fine. Every lens in this roundup except the 7.5mm MFT and 10mm MFT Hybrid uses Zero-D.
Manual Focus vs Autofocus on Ultra-Wides
Manual focus is the norm across most of the Laowa lineup, and it works fine for landscapes. You typically stop down to f/8, magnify to confirm focus, then shoot. Focus peaking on Sony, Nikon Z, and Canon RF bodies makes this fast. Only two lenses in this roundup have autofocus: the 10mm f/2.8 AF and the 10mm f/2 MFT Hybrid (electronic aperture only).
Autofocus matters more for video, astro tracking, and run-and-gun shooting. If you primarily shoot tripod-based landscapes, manual focus on any of these lenses is more than capable.
Mount and Autofocus Compatibility
Laowa lenses vary significantly by mount. Sony FE gets the most native options including autofocus on the 10mm f/2.8. Nikon Z works with most lenses via the FTZ adapter (manual focus only). Canon RF for full-frame has fewer native options, and Canon RF APS-C is essentially just the new 12-24mm Zoom Shift. Micro Four Thirds shooters get native 7.5mm f/2 and 10mm f/2 options.
| Mount | Autofocus Available? | Native Laowa Options |
|---|---|---|
| Sony FE (Full-Frame) | Yes (10mm f/2.8 only) | 10mm f/2.8 AF, 12mm f/2.8, 15mm f/2, 15mm f/4 Macro Shift |
| Sony E (APS-C) | No | 9mm f/2.8 |
| Nikon Z | No | Via FTZ adapter (most lenses) |
| Canon RF (Full-Frame) | No | 12mm f/2.8, 15mm f/2, 15mm f/4 (limited) |
| Canon RF (APS-C) | No | 12-24mm f/5.6 Zoom Shift only |
| Micro Four Thirds | No | 7.5mm f/2, 10mm f/2 Hybrid |
Filter Compatibility and Front Element Design
Filter threads are critical for landscape photographers. Standard 77mm threads (10mm f/2.8 AF, 15mm f/4 Macro Shift) let you reuse your existing ND and polarizer filters. 72mm (15mm f/2 FE), 49mm (9mm f/2.8 APS-C), and 46mm (MFT lenses) are smaller but still standard sizes. Bulbous front elements like the 12mm f/2.8 require proprietary rear filter mounts that add cost.
Avoid polarizers on ultra-wides below 14mm unless specifically designed for them. Polarization becomes uneven across the frame at extreme wide angles, creating banding. ND filters work fine at any width.
Focus Stacking and Hyperfocal Tips
At f/8-f/11 on these ultra-wides, depth of field often covers the entire scene from a few meters to infinity, so you may not need focus stacking. If you want razor-sharp foreground to background, shoot a 3-5 image stack with the same aperture and shift the focus point between frames. Combine in Photoshop or Helicon Focus.
For manual-focus lenses, set focus peaking to high sensitivity and use magnification. Mark your infinity focus point with gaffer tape once you confirm it, since some 9mm and 12mm copies need a small adjustment from the hard stop.
Where Are Laowa Lenses Manufactured?
Laowa lenses are designed and manufactured by Venus Optics in Hefei, China. The company was founded in 2013 and has earned recognition through awards including EISA Best Ultra-Wide Angle Lens 2024-2025 for the 10mm f/2.8 Zero-D AF.
Pros and Cons of Laowa Lenses in General
Pros: Compact and lightweight designs, Zero-D distortion correction, standard filter threads on many models, lower prices than first-party equivalents, unique specialty lenses like macro-shift and zoom-shift. Cons: Manual focus on most models, occasional QC variance between copies, vignetting wide open on faster lenses, limited native mount options for some systems.
Frequently Asked Questions
What is the best wide-angle lens for landscape photography?
The best wide-angle lens for landscape photography from Venus Optics is the Laowa 10mm f/2.8 Zero-D AF for Sony FE. It pairs a 130.4-degree field of view with near-zero distortion, autofocus, and a 77mm filter thread, and it won the EISA Best Ultra-Wide Angle Lens 2024-2025 award.
Are wide angle lenses good for landscape photography?
Wide angle lenses are the primary creative tool for landscape photography. They capture expansive scenes, emphasize foreground interest, exaggerate leading lines, and create dramatic perspective that standard and telephoto lenses cannot match. Most landscape photographers carry at least one wide-angle prime or zoom.
What is the widest lens available from Laowa?
The widest lens from Venus Optics is the Laowa 10mm f/2.8 Zero-D AF for Sony FE, which gives a 130.4-degree angle of view. For Micro Four Thirds, the widest rectilinear option is the Laowa 7.5mm f/2. Laowa also makes a 4mm fisheye, but it is not a rectilinear landscape lens.
What are the pros and cons of Laowa lenses?
Pros include compact lightweight designs, Zero-D distortion correction, standard filter threads on most models, lower prices than first-party equivalents, and unique specialty options like macro-shift. Cons include manual focus on most models, occasional QC variance between copies, vignetting wide open on faster primes, and limited native mount availability for some systems.
Is the Laowa 10mm f/2.8 worth it for landscape?
Yes. The Laowa 10mm f/2.8 Zero-D AF won the EISA Best Ultra-Wide Angle Lens 2024-2025 award, offers near-zero distortion, autofocus with the Sony FE mount, and accepts standard 77mm filters. At 420g it is light enough for backpacking, and the 12cm close focus adds foreground versatility.
Final Thoughts
The best Venus Optics wide angle lenses for landscapes cover every common system and use case. Our team lands on the Laowa 10mm f/2.8 Zero-D AF as the top pick for Sony FE shooters, the 15mm f/2 FE Zero-D as the best value, and the 7.5mm f/2 as the budget pick for MFT users. All eight lenses in this roundup deliver the near-zero distortion, solid build quality, and competitive pricing that made Laowa a favorite among landscape photographers in 2026.
If you shoot Sony FE and want autofocus plus standard filters, the 10mm f/2.8 AF is the easy choice. If you shoot manual focus and want edge sharpness at f/2, the 15mm f/2 FE remains a classic. If you shoot APS-C, MFT, or Canon RF, match your mount to the appropriate lens above and you will not be disappointed. Every lens in this guide is currently available, and our field testing gives us confidence in recommending all of them.