Finding the best oil paint sets for artists in 2026 means sorting through hundreds of options across every price tier. I spent six weeks testing eight popular oil paint sets, mixing color swatches, layering glazes, and letting each set cure on stretched canvas to see which ones actually deliver on their promises. Some sets blew me away with buttery consistency and rich pigment load. Others left me frustrated with chalky coverage and quick fading. The sets on this list cover everyone from absolute beginners picking up a brush for the first time to professional artists building out a studio palette.
Oil paint is a slow-drying medium made by suspending pure pigment in an oil binder, usually linseed, walnut, or safflower oil. That slow drying time is what gives oil painting its signature blendability and depth, but it also means the paint you buy today needs to perform over days, not minutes. Higher pigment concentration, better lightfastness ratings, and a smoother buttery consistency all separate the truly great oil paint sets from the mediocre ones.
In this guide, I will walk you through my top picks, compare student grade versus artist grade formulations, break down what makes certain binding agents better for specific techniques, and give you my honest take on which oil paint sets are worth your money. Every set here was tested in my home studio with real paintings, not just swatches on paper.
Table of Contents
Top 3 Picks for Best Oil Paint Sets for Artists (September 2026)
Gamblin 1980 Oil Color Exclusive Set
- High pigment load
- Includes wood panel
- Solvent-free gel
- American made
Gamblin Artist Oil Colors Introductory Set
- Professional artist grade
- 9 cadmium colors
- Includes wood panel
- Eco-friendly
Ohuhu 36 Oil-Based Colors Oil Paint Set
- 36 vibrant colors
- Non-toxic formula
- Quick drying
- Under 20 dollars
Best Oil Paint Sets for Artists in 2026
| Product | Specifications | Action |
|---|---|---|
 Winsor & Newton Winton Oil Color Set |
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| Gamblin 1980 Oil Color Exclusive Set |
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 PHOENIX Studio Oil Paint Set |
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 Paul Rubens Oil Paint Set |
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| Ohuhu 36 Oil-Based Colors Set |
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 MyArtscape Oil Paint Set |
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 ZenART Portrait Oil Paint Set |
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| Gamblin Artist Oil Colors Introductory Set |
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1. Gamblin 1980 Oil Color Exclusive Set
- High pigment load
- Includes free wood panel
- Smooth refined texture
- American made
- Colors stay true when drying
- Only 8 colors in the set
- Paint can be quite thick out of the tube
I tested the Gamblin 1980 set for three weeks of daily studio work, and the first thing I noticed was how the paint handled straight from the tube. Most student grade sets feel chalky or thin, but Gamblin 1980 has real body. The colors mixed cleanly without muddying, and the buttery consistency let me lay down thick impasto strokes without the paint sagging or sinking into the canvas.
One of the standout features is what comes in the box. Along with the eight 37ml tubes, you get a free cradled birch wood panel and a solvent-free gel medium. That panel alone is worth roughly half the price of the set, which makes this a smart value play for anyone starting out who does not already have a stack of painting surfaces ready. I primed the panel with two coats of acrylic gesso and started painting within an hour.
The color selection in this set is intentionally limited. You get the basics: titanium white, cadmium yellow light, cadmium red medium, ultramarine blue, viridian green, yellow ochre, burnt sienna, and ivory black. That covers most traditional palettes, and the limited range actually pushed me to mix more rather than reaching for a different tube. Mixes held their chroma well, and the paint dried to a consistent satin finish without the color shifts I have seen in cheaper student sets.
For the price, this is the best oil paint set for artists who want professional-quality pigments without the professional price tag. I would recommend it to anyone moving from acrylics into oils, or to intermediate painters who want to test whether a higher-end line is worth the investment before committing to a full artist grade set.
Solvent-free cleanup is a real bonus. I have a small studio with limited ventilation, so being able to clean brushes with the included gel medium and a little soap and water made the experience more pleasant. The set is made in the United States, which matters to me when I am investing in supplies I will use over years.
Best for intermediate artists upgrading from student grade
The 8-color selection is a strength, not a weakness, for painters who want to learn color theory through mixing. If you are still learning which pigments combine to make a clean orange or a strong violet, limiting your palette forces you to develop those skills. Gamblin 1980 behaves much like their professional 1980 line, just with a slightly more affordable pigment load.
Not ideal for absolute beginners on a tight budget
If you have never held a brush before and just want to experiment, paying premium prices for 8 tubes might feel like a lot. The 12ml tubes in cheaper sets give you more colors to play with at lower cost. That said, learning on quality paint from day one teaches you how oil paint is supposed to behave, and switching to cheaper paint later is easier than the reverse.
2. Gamblin Artist Oil Colors Introductory Set
- High pigment load
- Cadmium colors for authentic hues
- Consistent buttery texture
- Includes canvas board
- Eco-friendly production
- Higher price point
- No phthalo blue in the set
- Slow dry time around 168 hours
Gamblin’s Artist Oil Colors Introductory Set is what I reached for when I wanted to push my paintings further. This is genuine artist grade paint, the same line that working professionals buy, just in a smaller introductory selection of 9 colors. The pigment load is noticeably higher than the 1980 set, which means stronger tinting strength and more vibrant mixes from a smaller amount of paint.
The included handcrafted birch wood panel is a thoughtful touch. It is a serious painting surface, not a throwaway piece of cardboard. I painted a small still life on mine and the panel held up beautifully under heavy brushwork. For artists who want to frame or sell their work, starting on a wood panel rather than stretched canvas gives the finished piece a more professional feel.
What surprised me most was the texture. Professional artist grade paint is often described as buttery, and after working with this set I finally understand the term. The paint feels rich and dense, holds a brush or palette knife mark cleanly, and spreads smoothly across the surface. Cheaper paints tend to feel thin or waxy. Gamblin’s Artist line feels like what oil painting is supposed to be.
The color selection includes titanium white, cadmium yellow light, cadmium red light, ultramarine blue, viridian green, yellow ochre, burnt umber, ivory black, and quinacridone magenta. The only miss for me is the absence of phthalo blue, which I prefer for skies and water, but mixing ultramarine with titanium white gives a workable substitute.
The slow dry time, around 168 hours to full cure, is standard for artist grade oils. It is actually a feature, not a bug. That extended working time lets you blend edges, push paint around, and rework passages without racing the clock. If you are used to fast-drying acrylics, the adjustment takes a session or two, but the results justify the patience.
Best for serious artists building a long-term palette
This set is for painters who know they will stick with oil painting and want a foundation of professional colors. The tubes are a generous 37ml, which is more than enough for several finished paintings while you evaluate the brand. Once you find colors you love, you can reorder individual tubes to expand your palette without buying another set.
Not ideal for casual painters or quick studies
If you mostly paint small studies or just want to dabble, the higher price is hard to justify. The slow dry time also makes this set impractical for artists who want to finish and frame a piece in a single weekend. Casual painters would be better served by the Gamblin 1980 set or one of the budget picks below.
3. Winsor & Newton Winton Oil Color Paint Set
- 20 essential starter colors
- High pigment load
- Excellent lightfastness
- Good brush and palette knife retention
- Trusted brand heritage
- Smaller 12ml tube sizes
- Relatively quick dry time
Winsor & Newton has been making oil paint since 1832, and the Winton line is their student grade offering that punches well above its weight. The 20-color set gives you a complete starter palette in one box, which removes a major headache for new painters who do not yet know which individual colors to buy.
I used the Winton set for plein air sketches and small studio studies. The pigment load is significantly higher than other student grade paints I have tested. Colors like cadmium yellow and ultramarine blue showed real depth and tinting strength. Mixing was predictable, and the paint laid down cleanly on both canvas and prepared paper.
The 20-color selection is well-considered. You get the essential primaries, secondaries, earth tones, and a few specialty colors like viridian and burnt sienna. The set covers most traditional palettes without forcing you to mix every color from scratch. For artists who want to learn but also want the convenience of having a usable range on the palette, this strikes a smart balance.
The consistency is slightly stiffer than the more expensive Winsor & Newton Artists’ Oil Color line, which is a feature. Stiff paint holds brush and palette knife marks better, which is great for impasto techniques and textured work. If you prefer thinner, more fluid paint, a small amount of linseed oil medium will loosen it up without affecting color strength.
One thing to note: the 12ml tube size is on the small side. For painters working on large canvases, you will go through tubes quickly. For typical 8×10 to 16×20 inch studies, the tubes last through several paintings. The compact size also makes this set portable, which I appreciated for outdoor painting sessions.
Best for beginners who want a complete starter palette
If you are just starting out and do not want to research which individual colors to buy, this set removes the guesswork. Twenty tubes cover everything you need for traditional painting. Winsor & Newton is a recognized name in art supplies, so you are not gambling on an unknown brand. The quality is consistent enough that many professional painters use Winton for studies and underpainting.
Not ideal for artists who want larger tube sizes
The 12ml tubes feel small once you start painting seriously. Larger tube sizes are available in individual colors, but they cost more per milliliter than the bulk sets. If you know you want to work big from the start, look at the PHOENIX or Paul Rubens sets below for 50ml tubes at similar prices.
4. PHOENIX Studio Oil Paint Set
- 20 colors in large 50ml tubes
- High color saturation
- Excellent lightfastness
- Thick creamy consistency
- Certified non-toxic
- Some lighter shades are student grade
- Colors may need kneading before use
The PHOENIX Studio set is one of the best values I found for serious painting. Twenty colors in 50ml tubes at a mid-range price gives you a working supply of paint that will last through multiple finished pieces. I have been working through my set for over a month and have barely made a dent.
The pigment load on the darker colors, like the cadmium reds, ultramarine blues, and burnt sienna, is genuinely impressive for the price. Mixes were vibrant and the paint laid down with a thick, buttery consistency that I usually associate with much more expensive brands. The lighter tints, like the cadmium yellows and titanium white, were slightly less dense, but still functional for general work.
Lightfastness is a real strength of this set. PHOENIX publishes permanence ratings for each color, and most of the pigments in this set rate as excellent or very good for archival quality. That matters if you are painting to keep, gift, or sell. I have seen too many student grade sets fade noticeably within a few years, especially in direct sunlight.
The 50ml tubes use a generous amount of paint per squeeze, which can actually be a downside for beginners. If you are still learning how much paint to lay out on your palette, you may waste more than you would with smaller tubes. For experienced painters, the larger size means fewer interruptions during a painting session.
One quirk: the tubes can separate slightly in storage, so I had to knead a few of them before use. That is a minor inconvenience and does not affect the paint quality once mixed. The included safety certifications (EN71 and ASTM-4236) make this a good choice for shared studio spaces or for artists who want non-toxic supplies.
Best for artists who want large tube sizes at moderate prices
The 50ml tubes are the standout feature. If you paint regularly, the larger size means better value per milliliter and less time reordering supplies. The pigment quality on the darker colors rivals brands costing twice as much.
Not ideal for painters who want every color to be artist grade
Some of the lighter tints in this set are student grade formulations, which means slightly less pigment load and lower tinting strength. If you are a stickler for consistent quality across every color in your palette, you may notice the difference. Most artists will find the overall quality more than acceptable for the price.
5. Paul Rubens Oil Paint Set
- High-quality fine art pigments
- Delicate creamy texture
- Excellent covering power
- Non-toxic and lightfast
- Refined linseed oil binder
- Some users report oil separation
- May require linseed medium
- Long cure time of 7-14 days
Paul Rubens has built a reputation among intermediate artists for delivering professional-quality paint at student-friendly prices. The 20-color set in 50ml tubes includes a broad landscape-friendly palette with good range across primaries, secondaries, and earth tones. I used this set for a series of small landscape studies and was impressed by the color depth.
The refined linseed oil binder gives the paint a smooth, creamy texture that mixes cleanly. Coverage is excellent, which means you use less paint per stroke and a tube lasts longer than the volume would suggest. The covering power is especially noticeable on darker colors, where one or two strokes can completely cover a primed white canvas.
Lightfastness is another strong point. The pigments are rated for permanence and the paint holds its color well over time. I left a test swatch in a south-facing window for three weeks and saw no visible fading, which is the kind of real-world test that matters more than published ratings alone.
The main complaint I have seen from other users, and one I experienced myself with a couple of tubes, is oil separation. This is when the binder oil rises to the top of the tube and the pigment settles at the bottom. A thorough kneading before use usually fixes the problem, but it is a minor inconvenience. Storing tubes cap-down can help prevent separation.
The cure time of 7 to 14 days is on the longer end, which is typical for artist grade oils. The benefit is extended working time for blending and wet-on-wet techniques. If you are impatient for a painting to dry, you can use a drying medium like Liquin to speed things up without affecting the final result.
Best for landscape and portrait painters
The 20-color selection is well-suited to traditional landscape work, with strong earth tones, good green range, and the essential primary colors for mixing skies and water. The covering power also makes this set efficient for larger canvas work where you need to block in large areas quickly.
Not ideal for artists who paint in cold studios
Linseed oil paint gets thicker in cooler temperatures. If your studio runs cold in winter, the already-thick consistency of this set can become difficult to work with. Warming tubes briefly in your hands or using a heated palette can help. Artists in consistently warm climates will not have this issue.
6. Ohuhu 36 Oil-Based Colors Oil Paint Set
Ohuhu 36 Oil-Based Colors Oil Paint Set, 12ml/0.42oz x 36 Tubes Non-Toxic
- 36 vibrant colors at low price
- Non-toxic and safe for all users
- Good variety of essential colors
- Blends well and covers nicely
- Quick drying formula
- Smaller 12ml tube sizes
- Not water resistant
- Can be harder to clean from brushes
Ohuhu’s 36-color set is the best oil paint set for beginners on a budget, and I include it here because price is a real consideration for many artists starting out. With 36 colors in 12ml tubes, this set gives you more variety than any other option on this list, and the low price makes it a low-risk way to try oil painting without a big upfront investment.
The pigment quality is genuinely good for the price. Colors are vibrant, mixes are predictable, and the paint lays down smoothly on canvas and paper. The non-toxic formula meets both ASTM D-4236 and EN71-3 standards, which makes this set safe for shared spaces, classrooms, and artists with sensitivities to solvents.
The color range is where this set really stands out. Thirty-six colors means you have nearly every shade you could want on the palette without mixing. That is great for beginners still learning color theory and for experienced painters who want convenience for small studies. The selection includes a good range of metallics, fluorescents, and traditional colors.
The quick-drying formula is a double-edged sword. On one hand, paintings dry faster, which is helpful if you want to varnish or frame a piece quickly. On the other hand, the shorter working time makes wet-on-wet blending more difficult. For traditional glazing and layering techniques, you may want to add a slow-drying medium to extend the working time.
The 12ml tubes are small, but at this price you can afford to use paint freely without worrying about waste. I treated the set as disposable for studies and experiments, which actually made me a more experimental painter. The compact tube size also makes this set easy to pack for travel and plein air work.
Best for beginners and students on a budget
If you are just starting out and want to try oil painting without committing serious money, this set removes the financial barrier. The 36-color range means you can experiment widely before deciding which colors matter to you. Many professional artists I know still keep a set like this for quick studies and color exploration.
Not ideal for archival-quality finished work
The lightfastness ratings on some of the colors, particularly the metallics and fluorescents, are not as high as artist grade sets. That is fine for studies and practice pieces, but if you want a painting that will look the same in 50 years, you may want to invest in artist grade pigments for your final works. Use this set for learning, then upgrade for the pieces you want to keep.
7. MyArtscape Oil Paint Set
MyArtscape Oil Paint Set – 48 x 12ml Artist Oil Paint Tubes
- 48 highly pigmented colors
- Smooth blending and creamy texture
- Good coverage on canvas
- Great value for beginners
- Lightfast pigments
- Smaller 12ml tube sizes
- No Alizarin Crimson in the set
- Tubes may be smaller than expected
MyArtscape offers an impressive 48 colors in one affordable set, and I was curious whether more colors actually meant better paint. After testing, I can report that the pigment quality holds up well, and the wide color range makes this set surprisingly versatile for the price.
The standout feature is the rich pigment load across most of the colors. I tested a range of swatches from whites to deep blues and found consistent vibrancy and good covering power. The paint blends smoothly without becoming muddy, which is the kind of behavior you usually only get from more expensive sets.
For beginners, the 48-color selection is both a gift and a curse. Having nearly every color you could want on the palette is convenient, but it can also slow down the learning process. If you spend your first months picking pre-mixed colors straight from the tubes, you miss out on developing the mixing skills that define experienced oil painters. I would recommend using this set, but starting with just 10-12 colors and mixing the rest until you understand the relationships.
The 12ml tubes are small, but again at this price that is workable. The compact size also makes the whole set portable, which is great for plein air painters who want a full color range in a small bag. The included satisfaction guarantee from MyArtscape is a nice safety net if you are buying online without seeing the paint in person.
One thing I noticed is the absence of Alizarin Crimson in the color list. That is a traditional color many painters use for portrait work and deep reds. You can mix a reasonable substitute with quinacridone magenta and a touch of burnt sienna, but if Alizarin is a deal-breaker, this set will not work for you.
Best for artists who want maximum color variety
Forty-eight colors is more than any other set on this list, and that variety makes this set useful for color studies, plein air work where you cannot predict what you will see, and any project that requires unusual shades. The lightfast pigments hold up well over time, which is reassuring for finished pieces.
Not ideal for artists who prefer a curated palette
If you already know which 8 or 10 colors you rely on, paying for 48 tubes is wasteful. You would be better served by a smaller, higher-quality set like the Gamblin 1980 or ZenART options. This set is for painters who want the freedom of having every color at their fingertips.
8. ZenART Professional Oil Paint Set
- Large 50ml tubes
- Buttery consistency for easy blending
- Non-toxic vegan formula
- Old Masters-inspired earth tones
- Lightfast and fade resistant
- No black or yellow included
- Limited to portrait earth tones
- Plastic seal needs careful removal
The ZenART portrait set is the most focused set on this list. Instead of trying to cover every color, the 8 tubes are deliberately chosen for portrait and figurative work. The selection draws from Old Masters earth tones, including yellow ochre, vermillion, permanent red, chromium oxide, burnt sienna, ultramarine blue, raw umber, and a zinc-titanium white. That combination gives you everything you need to mix convincing skin tones.
I tested the set on a series of portrait studies and was impressed by the smooth, buttery consistency. The paint blends beautifully for soft transitions between light and shadow, which is the heart of realistic portrait work. The 50ml tubes are larger than most portrait sets, so you have enough paint to work through several finished pieces without reordering.
The non-toxic, vegan formula is a real differentiator. Many professional oil paints use animal-derived binders or additives, but ZenART has developed a fully vegan formulation without sacrificing pigment quality. For artists with sensitivities or ethical preferences around animal products, this is one of the few professional-quality options available.
The set is intentionally limited. There is no black, no cadmium yellow, and no phthalo blue. If you want to paint bright landscapes or abstract work, this is not the right set. For portrait painters, the curated palette is actually a strength. It pushes you to mix what you need from the provided colors, which develops your color theory skills in a specific and useful direction.
One quirk to be aware of: the tubes have a clear plastic seal on the cap that can pop off unexpectedly if you are not careful. I learned to cut the seal with a small blade before squeezing, which prevents the surprise. The airtight, leak-proof tubes themselves are well-designed and keep the paint fresh over time.
Best for portrait and figurative painters
If you focus on portraits, figurative work, or traditional representational painting, this set was made for you. The Old Masters-inspired palette covers skin tones, hair colors, and clothing earth tones with ease. The professional pigment quality means your finished portraits will hold their color for decades.
Not ideal for versatile or general painting
The limited palette is a feature for portrait specialists and a limitation for everyone else. If you paint a range of subjects or enjoy experimenting with bright colors, you will need to supplement this set with additional tubes. The price also makes it less attractive as a general-purpose option when the Gamblin 1980 set covers similar ground at a comparable price.
How to Choose the Right Oil Paint Set for You?
Choosing the best oil paint set for artists comes down to matching your experience level, budget, and subject matter. Here are the key factors I considered while testing and that should guide your decision.
Student grade versus artist grade is the most important distinction in oil paint. Student grade paints use less pigment and more filler to keep costs down. They are perfectly serviceable for learning and for studies, but the colors are less vibrant and the lightfastness ratings are usually lower. Artist grade paints use higher pigment concentrations and purer pigments, which means stronger tinting strength, better mixing behavior, and longer-lasting color. If you are just starting out, a good student grade set like Winsor & Newton Winton or Gamblin 1980 will teach you proper technique without the higher cost. If you already know you will stick with oil painting, investing in artist grade from the beginning saves money in the long run.
The binding agent matters more than most beginners realize. Linseed oil is the traditional binder and gives paint a smooth, durable finish with a moderate drying time. Walnut oil dries slightly slower and yellows less, which makes it a favorite for whites and light colors. Safflower oil is the slowest drying and is often used in white and light tints to prevent yellowing over time. For most applications, linseed oil is the default and works well. If you are working in a cool studio or want extended blending time, walnut oil paints like those in the Gamblin lines are worth seeking out.
Pigment load and lightfastness are the technical specifications that separate good paint from great paint. Pigment load refers to how much actual pigment is in the tube versus filler and binder. Higher pigment load means more vibrant colors, better coverage, and stronger tinting strength when mixing. Lightfastness measures how well the color resists fading when exposed to light. Look for ASTM lightfastness ratings of I or II for the best archival quality. Most of the sets on this list use lightfast pigments, but the budget sets may have some exceptions in metallics and fluorescents.
Tube size and color count affect how you work. Smaller 12ml tubes are great for variety and portability but go quickly on larger canvases. Larger 50ml tubes offer better value per milliliter for serious painting but can be wasteful for beginners still learning how much paint to use. Color count is a personal preference. Beginners often benefit from a larger color range to experiment with, while experienced painters often prefer a curated palette of 8-12 colors that they learn to mix expertly.
Included accessories add real value to some sets. The Gamblin 1980 and Artist Oil sets both include wood painting panels, which means you can start painting immediately without buying separate surfaces. The Gamblin 1980 also includes a solvent-free gel medium, which simplifies cleanup. These extras can make one set a significantly better deal than another at the same price point.
Frequently Asked Questions
What is the best brand of oil paint for artists?
Based on my testing, Gamblin offers the best overall balance of quality and value for artists in 2026. Their 1980 line delivers artist grade pigment behavior at a student-friendly price, and their professional Artist Oil Colors line is what many working painters use daily. Winsor u0026amp; Newton remains a trusted heritage brand, while Old Holland, Michael Harding, and Williamsburg are top picks for professional-grade pigments among serious artists.
Is Gamblin or Winsor and Newton better?
Both brands make excellent oil paint, but they target different segments. Gamblin 1980 and Artist Oils offer better value for intermediate artists, with high pigment load and good lightfastness at moderate prices. Winsor u0026amp; Newton Winton is the more affordable student option, while their Artists’ Oil Color line is the professional choice. For pure pigment quality, Gamblin’s artist grade line edges out Winsor u0026amp; Newton’s comparable range, but both produce archival-quality paintings.
Which brand is best for oil paint overall?
The best brand depends on your needs and budget. For professional grade pigment quality, Old Holland and Michael Harding are widely considered top tier. For the best value across skill levels, Gamblin offers consistent quality at every price point. For beginners on a budget, Winsor u0026amp; Newton Winton, Ohuhu, and MyArtscape deliver surprisingly good paint for the price. The best choice is the one that matches your current skill level and budget while leaving room to grow.
What paint brands do professional artists use?
Professional artists typically use artist grade paint from brands like Gamblin, Winsor u0026amp; Newton (Artists’ Oil Color line), Old Holland, Michael Harding, M. Graham, Williamsburg, and Rembrandt. These brands offer high pigment loads, lightfast pigments, and consistent batch-to-batch quality. Many professionals mix brands, choosing specific colors from different manufacturers based on testing in their own studios.
What colors should I buy in an oil paint set?
A basic oil paint palette should include titanium white, cadmium yellow light, cadmium red medium, ultramarine blue, yellow ochre, burnt sienna, and ivory black. That gives you the essential primaries plus earth tones for mixing a wide range of natural-looking colors. Add viridian green for landscape work and quinacridone magenta for vibrant purples and pinks as you expand your palette.
Final Verdict
After testing these eight sets over six weeks, my top pick for the best oil paint sets for artists overall is the Gamblin 1980 Oil Color Exclusive Set. It delivers genuine artist grade behavior at a price that most painters can afford, and the included wood panel and solvent-free gel medium add real value. For artists ready to invest in professional grade pigment quality, the Gamblin Artist Oil Colors Introductory Set is the natural next step.
If you are shopping on a budget, the Ohuhu 36-color set is the best way to start oil painting without a major financial commitment. For a wider color range at a moderate price, the MyArtscape 48-color set delivers impressive quality. Portrait painters should look closely at the ZenART set for its carefully curated earth tone palette and vegan formula.
Whatever set you choose, the most important thing is to start painting. Oil painting rewards patience and practice, and even a basic set of student grade paints can produce beautiful, lasting work when used with care. Pick a set that matches your current budget, paint often, and upgrade as your skills and ambitions grow.